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Comments
How loud was it played?
which instrument played it?
which member originated said note?
who decided where the note belonged in which song?
Did the note get ripped off by management leaving it penniless to start again?
I still love Adele's voice, she's fun to sing along with.
every episode i pray, can these wild animals eat these yahoos now?
We watched the first part last night -- it is very, um, detailed. It is fascinating to watch the creation of such songs as Get Back and Let it Be and Long and Winding Road in real time but, as Linwood Barclay observed, it's a little like watching an author write a novel. My wife wasn't nearly as interested by it as I was, I'd say. I'll probably watch the rest, but I'm not sure she will.
I was intrigued by how the principle conflict wasn't between Paul and John, but rather between Paul and George, who quits the band at the end of the first part.
Paul is definitely the most driven of the group, George feeling under-appreciated. John is very happy-go-lucky but not bringing much of his own music to the group at this point. (Maybe he will once their backs are up against the wall.) Ringo is just going along with everything, rarely saying anything but always able to bring the beat when called upon.
Some of the hangers-on are interesting. One guy really has a thing for this coliseum in Tripoli where he wants them to stage the concert, perhaps even taking the audience with them on a ship. Big ideas. Dick James shows up and is a total bore!
i just finished Ringo’s masterclass. What i really loved about it, he says many times, there were moments he could not play what was wanted. He just couldn’t do it, he wasn’t a good enough drummer. But he always figured out a way to give them the sound in a way he did know how to do.