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John
Lilja
John
John
Stephen King. Scribner, $28 (384p) ISBN 978-1-4165-8408-7
In the introduction to his first collection of short fiction since Everything’s Eventual (2002), King credits editing Best American Short Stories (2007) with reigniting his interest in the short form and inducing some of this volume’s contents. Most of these 13 tales show him at the top of his game, molding the themes and set pieces of horror and suspense fiction into richly nuanced blends of fantasy and psychological realism. “The Things They Left Behind,” a powerful study of survivor guilt, is one of several supernatural disaster stories that evoke the horrors of 9/11. Like the crime thrillers “The Gingerbread Girl” and “A Very Tight Place,” both of which feature protagonists struggling with apparently insuperable threats to life, it is laced with moving ruminations on mortality that King attributes to his own well-publicized near-death experience. Even the smattering of genre-oriented works shows King trying out provocative new vehicles for his trademark thrills, notably “N.,” a creepy character study of an obsessive-compulsive that subtly blossoms into a tale of cosmic terror in the tradition of Arthur Machen and H.P. Lovecraft. Culled almost entirely from leading mainstream periodicals, these stories are a testament to the literary merits of the well-told macabre tale. (Nov.)
Stephen King (reading "Harvey's Dream")
Jill Eikenberry (reading "Graduation Afternoon" and "The New York Times at Special Discount Rates")
Holter Graham (reading "Willa," "The Cat from Hell" and excerpts of "N.")
George Guidall (reading "Ayana")
Ron McLarty (reading "A Very Tight Place" and "Stationary Bike," previously recorded)
Denis O'Hare (reading "Rest Stop" and the title character for "N.")
Ben Shenkman (reading "The Things They Left Behind" and the character Johnny for "N.")
Skipp Sudduth (reading "Mute")
Mare Winningham (reading "The Gingerbread Girl," previously recorded)
Karen Ziemba (reading the character Sheila for "N.")
John
John
John
The story feels badly dated compared to the others in Just After Sunset. I don't know what inspired him to include it.
I received my finished copy of JAS from Scribner last night. The front cover is even funkier live than it seems in images.
And, as long as I'm posting, RIP Michael Crichton.