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Enchanted Chamber of Astonishing Stories
McSweeney's is releasing another anthology edited by Michael Chabon, "McSweeney's Enchanted Chamber of Astonishing Stories." Although it's not listed on this Amazon link, the collection will have a short story by Stephen King according to Diamond Comics' Previews catalog for November. Any word on what's in it? The last one had a Dark Tower excerpt...
http://www.amazon.com/exec/obidos/tg/detail/-/1400078741/qid=1093554753/sr=1-9/ref=sr_1_9/002-9813088-2818467?v=glance&s=books
Blu
http://www.amazon.com/exec/obidos/tg/detail/-/1400078741/qid=1093554753/sr=1-9/ref=sr_1_9/002-9813088-2818467?v=glance&s=books
Blu
Comments
Thanks,
Blu
Edited by Michael Chabon, with illustrations by Mike Mignola
Pulitzer Prize winner Michael Chabon and the editors of McSweeney’s have cajoled a stellar group of contemporary fiction masters — including Alan Furst, Peter Straub, Roddy Doyle, and Stephen King — into offering their original takes on the tried-and-true genres of adventure, science fiction, crime story, and horror.
Soft Cover, 464 pages, $13.95
New Fiction
A new work of fiction by Stephen titled "Lisey and the Madman" will be included in McSweeney’s Enchanted Chamber of Astonishing Stories, an anthology edited by Michael Chabon, published by Vintage. The anticipated publication date is November 2004.
Posted 9 September 2004
Lilja
Woah! That should be intense.
Contributors in order of appearance:
So True!
Almost non-fiction, although I'm sure King puts a lot of fiction in it.
By Mark Graham, Special To The News
November 12, 2004
Michael Chabon, a frequent contributor to one of the most prestigious literary magazines, McSweeney's Quarterly Concern, complained to publisher Dave Eggers about the state of the modern short story.
Times had changed since the heyday of such periodicals as The Saturday Evening Post, Colliers and Liberty, and the plots in the few remaining venues for short fiction had become, in Chabon's words, "tedious."
Chabon sent out a call to the world's most popular writers, and the result was last year's most highly touted and praised anthology, McSweeney's Mammoth Treasury of Thrilling Tales, featuring stories from Stephen King, Harlan Ellison, Michael Crichton, Elmore Leonard, Neil Gaiman and 15 others.
The Mammoth Treasury was such a success that Chabon and McSweeney have followed it up this year with McSweeney's Enchanted Chamber of Astonishing Stories, again featuring an original Stephen King story and this time including distinguished writers such as Joyce Carol Oates, Peter Straub, Jonathan Lethem, Margaret Atwood and Daniel Handler (who just might be better known as Lemony Snicket).
The stories are a bit uneven in Enchanted Chamber, but most will keep even the most discerning reader entertained.
In "Lisey and the Madman," King expounds on a topic he knows all too well: the lack of privacy, and even danger, that comes with being a famous person. This time, though, he tells the story from the point of view of the wife of a celebrated author as the madman of the title sets out to kill her husband.
Joyce Carol Oates offers "The Fabled Light-House at Viña del Mar." The isolated lighthouse keeper gradually falls into madness and finds bizarre companionship with a strange being from the sea.
Four men involved in the literary world - an author, an agent, a publisher and a critic - find themselves in a cardiac ward in Peter Straub's "Mr. Aikman's Air Rifle." The four are connected in awkward ways, and they soon discover that they might not be in a hospital after all - and that their cardiac episodes may have been more serious than they thought.
"Vivian Relf," by Jonathan Lethem, is a tale of obsession. A young man sees a beautiful woman at a party. From that point on, his life centers on their occasional meetings, but he never realizes the absurdity of his fascination with her as his existence becomes meaningless.
Margaret Atwood's very short story, "Lusus Naturae," is about a woman who is born a monster, told from the woman's point of view. It comes complete with villagers carrying stakes and torches, but in Atwood's hands, the cliché seems original.
In Daniel Handler's story, "Delmonico" refers to a cocktail: "Gin, vermouth, brandy. A dash of bitters." The narrator sits at a bar and watches the beautiful bartender make the drink and pass out supernatural advice. While he loves her, he knows he can never have her.
Other highlights in the 15-story collection include:
• China Mieville's "Reports of Certain Events in London," an epistolary tale about disappearing streets;
• Poppy Z. Brite's "The Devil of Delery Street," where a young girl is haunted by a ghost who says it is the devil;
• Chris Ambrosio's "The Scheme of Things," about two small-time con artists collecting money for B.A.D. (Babies Addicted to Drugs) and keeping it.
While there are fewer stories in the Enchanted Chamber than in the Mammoth Treasury, this new anthology proves again that it is possible to find short works that are far from "tedious." It's just a shame that there aren't more of them.
Blu
The goal of this short-story anthology is to revitalize genre fiction - crime, adventure, sci-fi, horror, and romance stories - by coaxing new examples from the hippest possible crowd of contemporary fiction writers. It's a formula that worked well in a previous volume, the 2003 Mammoth Treasury of Thrilling Tales, also compiled by novelist Michael Chabon and the editors of the literary magazine McSweeney's. Like most collections of its kind, there's a wide range in quality. China Mieville's "Reports of Certain Events in London" is a bloodless fantasy that tries, and fails, to unnerve. Jonathan Lethem's creepy romance, "Vivian Relf," is less substantial than his usual work, and Stephen King goes on too long in "Lisey and the Madman," but Roddy Doyle's "The Child" has some haunting moments, and Daniel Handler's "Delmonico" effectively mixes romance and noir.
It's the female authors here who really shine. Ayelet Waldman's "Minnow" and Heidi Julavits' "The Miniaturist" are luxuriously feminine ghost stories, while Margaret Atwood and Joyce Carol Oates deliver some impeccably scary stuff in a classical mode. Hands down the best tale is Poppy Z. Brite's "The Devil of Delery Street," a New Orleans exorcism tale in which every character, including the demon itself, is absolutely charming.