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The Dark Tower: Adapting The Stephen King Multiverse Is Mike Flangan's "Mt. Everest"

The Dark Tower: Adapting The Stephen King Multiverse Is Mike Flangan's "Mt. Everest" 

Hedda GablerGNTLGNTFlakeNoir

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  • Mike Flanagan & Trevor Macy Reveal ‘The Dark Tower’ Adaptation In Works At Intrepid

    You’re the first person we’re saying it to, but yes. Predating our deal with Amazon, we acquired the rights to The Dark Tower, which if you know anything about me, you know it has been my Holy Grail of a project for most of my life. We actually have those rights carved out of our Amazon deal, which doesn’t mean that they can’t or won’t get behind it at some point — you don’t know. But that’s something we’ve been developing ourselves and are really passionate about finally getting it up on its feet at some point.

    DEADLINE: How far along are you in the development? Mike, you have shared your Dark Tower vision in interviews, so you must have at least a synopsis in mind. Are you planning to pitch the project around town?

    FLANAGAN: I wrote a pilot, we view it as a as a series that’s going at least five seasons. And having lived with this project as long as I have, I have an enormous amount of it worked out in my brain. But I have a pilot script I’m thrilled with and a very detailed outline for the first season and a broader outline for the subsequent seasons. I think eventually, if we’re able to get it going, there are some other writers I want to fold into that process whom I’ve worked with before; I think they would be really fabulous for a very small, intimate writers room where we can continue to break it.

    I’ll tell you, more than half of my life, I’ve closed my eyes and been able to watch a lot of this play out, I’ve dreamed about this. That first shot which comes right off at the first incredible sentence of the first book, The Gunslinger, I’ve had that image just rattling around in my head since I was an undergrad. It’s going to have to get out of there eventually, I really need to get it out of my head.

    The pilot script is one of my favorite things I’ve ever gotten to work on. It’s been surreal working on that. So we’ve been floored and grateful that Stephen King trusts us with such an undertaking, something so precious to him, and we hope to find the right partners to realize it.

    DEADLINE: Have you had conversations with Stephen King about The Dark Tower over the years and more recently when you were acquiring the rights? Have you discussed with him your plans for bringing the books to the screen?

    FLANAGAN: Absolutely. This happened because I sent him a very, very detailed outline of what I wanted to do with it. And it was in response to that, that he gave us the rights. A project like this, I wouldn’t want to be involved in it at all If we were taking it in a direction that was going to be blasphemous to the Stephen King material, but he’s been very, very supportive and very excited about what we’d like to do with it.

    DEADLINE: Initially, more than a decade ago, there were grand plans for a Dark Tower integrated film and TV universe. Is your adaptation strictly a television series?

    FLANAGAN: Well, to be honest, the way that I have seen it breaking out is five seasons of television, followed by two stand-alone features. But I think our priority has been trying to get the television side of it going first. We’re not going to put the cart too far ahead of the horse on such a challenging project, but that I think is the perfect way to do it.

    DEADLINE: Are you a little bit daunted by the fact that The Dark Tower is considered one of the hardest pieces of literature to be adapted for screen?

    FLANAGAN: Oh, of course, we are very aware of that. I think we’ve had good and incremental practice to get there because people said Gerald’s Game was unfilmable; that was daunting. When Doctor Sleep came around, people were saying, oh my god of all the projects to take on, why would you step into the crosshairs there. So I feel like we’ve been gently preparing ourselves for this along the way, but yes, none of it is lost on me.

    MACY: If you don’t fell intimidated, you are not doing it right.

    FLANAGAN: Yeah, you have to be intimidated by it in order to do it properly. I think that’s absolutely right.

    DEADLINE: The Dark Tower MRC pilot was one of the first projects Amazon Studios Head of TV Vernon Sanders worked on after joining the studio. They ultimately passed on it but clearly the company had interest in the IP. Have you spoken with him about potentially pitching your adaptation to them?

    FLANAGAN: Oh, sure. They’re very aware of it. We’re just at the very beginning of this new relationship. We were careful to keep it carved out just in case, we would be fairly understanding of any institutional PTSD off of the other attempts they made at adapting it over there. So we wanted to keep that separate. But they’re absolutely aware of it, and if that’s something that they would be interested in, we’ll be thrilled.

    Hedda GablerGNTLGNTLou_SytsmaFlakeNoir
  • FUCK YEAH!  excuse my french
    BevVincentHedda GablerGNTLGNTKurbenFlakeNoir
  • edited December 2022
    This tweet by Mike Flanagan back on Nov 17th takes on added significance in light of this news:



    Hedda GablerFlakeNoirGNTLGNT
  • Filmmaker Mike Flanagan says he can't wait to recreate a key scene from Stephen King's The Dark Tower series in his upcoming adaptation.

    Speaking at Emerald City Comic Con (via Popverse), Flanagan explained which scene he's most looking forward to recreating in his adaptation of The Dark Tower.
    Very late in the story, there’s a scene that takes place in a forest where a character is being buried. And there’s a eulogy being given that made me cry the first time that I read it. That one speech just kills me, and I can’t wait for that.

    Mote: Mike Flanagan plans to turn The Dark Tower into a five-season show, with two movies as well.

    >>> Source

    GNTLGNTHedda GablerFlakeNoirLou_Sytsma
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