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Comments
The venue sound and the visual clarity on the hosts in the room is so much better. Tighter production so far. Apparently this is a new place from last night. A good venue sound-wise is always a good idea.
Still glitches in the films. All three. BUT, 95% better than yesterday. While still unacceptable in my opinion, it's an improvement for sure.
I loved every one of the first block of films.
Everything's Eventual
A Very Tight Place -- As other's mentioned, Tarrantino all the way. Spaghetti western. You can't see the opening or hear the music and not immediately think those things.
And I want to give a special shout-out to this version of The Man Who Loved Flowers. Drew Newman.
Very creative.
And the people in chat -- "We're lucky we get anything." "It happens." "No big deal." "Darn, glitches, we're doing our best." NO YOU ARE NOT.
NO NO NO. Don't do them if you can't do them right. It's garbled shit.
UGH!!!!!
All the film makers and their teams are just doing great work. Terrific creativity.
Marcello Trigo was absolutely adorable and so genuine. I would love to see more foreign dollar baby movies. He adapted The Ballad of the Flexible Bullet. For 700 dollars. I enjoyed his vision and sincerity.
3 days and we just can’t get it.
James, unfortunately, got stuck doing tech. He admitted day 1 he didn't know what he was doing. I do feel bad for him being put in this position. Someone needed to step up and help. Mr. Rogers said, Look for the helpers. Where in the hell were the helpers?
He was the director of The Doctor's Case, yes? He did a beautiful job with that film. So slick. And he was fantastic last year in front of the camera during the Dollar Babies. I am hammering these people for this year's festival, but I do know they are all probably good people. My anger is coming from heartbreak for the creators. I have a soft spot for artists of all kinds. I champion the creatives.
Hope you can reveal soon that cool project.
On the plus side, Bev's interview - at least on his side - was very clear and always great to hear Bev talk about King, writing, and his very own growing body of work!
There are a lot!
In Grey Matter, it's a bad can of Schlitz, isn't it? Anyone who has had Schlitz, knows.