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Billy Summers (August 3, 2021)
Billy Summers will be published by Scribner on Aug. 3. And we have a killer gift for devoted readers who would like a taste of King's new tale ahead of time in the form of an excerpt.
Billy Summers concerns a killer for hire and the best in the business. But he'll do the job only if the target is a truly bad guy. And now Billy wants out. But first, there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?
How about everything.
Per the book's publisher Scriber, Billy Summers is "part war story, part love letter to small town America and the people who live there, and it features one of the most compelling and surprising duos in King fiction, who set out to avenge the crimes of an extraordinarily evil man. It's about love, luck, fate, and a complex hero with one last shot at redemption."
Comments
Yes, she. No the spelling wasn't wrong. Just a gender whoopsie. (back in the days of assumption)
Billy was my hero. And yes, I did sing that song, constantly.
I always called Billy a "he". It confused the sh*t out of the vets. 😁
The ever prolific King moves from his trademark horror into the realm of the hard-boiled noir thriller.
“He’s not a normal person. He’s a hired assassin, and if he doesn’t think like who and what he is, he’ll never get clear.” So writes King of his title character, whom the Las Vegas mob has brought in to rub out another hired gun who’s been caught and is likely to talk. Billy, who goes by several names, is a complex man, a Marine veteran of the Iraq War who’s seen friends blown to pieces; he’s perhaps numbed by PTSD, but he’s goal-oriented. He’s also a reader—Zola’s novel Thérèse Raquin figures as a MacGuffin—which sets his employer’s wheels spinning: If a reader, then why not have him pretend he’s a writer while he’s waiting for the perfect moment to make his hit? It wouldn’t be the first writer, real or imagined, King has pressed into service, and if Billy is no Jack Torrance, there’s a lovely, subtle hint of the Overlook Hotel and its spectral occupants at the end of the yarn. It’s no spoiler to say that whereas Billy carries out the hit with grim precision, things go squirrelly, complicated by his rescue of a young woman—Alice—after she’s been roofied and raped. Billy’s revenge on her behalf is less than sweet. As a memoir grows in his laptop, Billy becomes more confident as a writer: “He doesn’t know what anyone else might think, but Billy thinks it’s good,” King writes of one day’s output. “And good that it’s awful, because awful is sometimes the truth. He guesses he really is a writer now, because that’s a writer’s thought.” Billy’s art becomes life as Alice begins to take an increasingly important part in it, crisscrossing the country with him to carry out a final hit on an errant bad guy: “He flopped back on the sofa, kicked once, and fell on the floor. His days of raping children and murdering sons and God knew what else were over.” That story within a story has a nice twist, and Billy’s battered copy of Zola’s book plays a part, too.
Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.