Welcome to my message board.
New member registration has been disabled due to heavy spammer activity. If you'd like to join the board, please email me at MaxDevore at hotmail dot com.
New member registration has been disabled due to heavy spammer activity. If you'd like to join the board, please email me at MaxDevore at hotmail dot com.
How to Write a Mystery
Thrilled to be one of the authors contributing to the forthcoming MWA book Writing Mysteries, edited by Lee Child with Laurie King.
Among the numerous other contributors are my pals Linwood Barclay, Hal Bodner, Mysti Berry, and Robert Lopresti.
Some of the essays in the collection were written by invitees — but Lee also wanted to draw on the collective wisdom and experience of all his colleagues in MWA: crowd-sourcing!
Among the numerous other contributors are my pals Linwood Barclay, Hal Bodner, Mysti Berry, and Robert Lopresti.
Writing Mysteries will be the fourth handbook MWA has published over its 75-year history, and will be out from Simon & Schuster in time to celebrate — and illuminate — the 75th anniversary of the Edgar® Awards in April.
Comments
I also saw Meg's name in there, lovely!
Kirkus Reviews
Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery, courtesy of the cheerleaders from the Mystery Writers of America.
In a marketplace crowded with how-to-write titles, the big selling point of this one is the variety of voices behind more than 30 full-length chapters covering everything from mystery subgenres (Neil Nyren) to publishing law (Daniel Stevens), punctuated with a variety of shorter interpolations. A few of them are more pointed than the longer chapters—e.g., when Rob Hart advises, “Allow yourself the space to forget things,” Tim Maleeny says, “Love your characters, but treat them like dirt,” or C.M. Surrisi notes, “If you’re writing a mystery for kids, remember that your protagonist can’t drive and has a curfew, and no one will believe them or let them be involved.” The contributors vary in their approaches, from businesslike (Dale W. Berry and Gary Phillips on the process of creating graphic novels, Liliana Hart on self-publishing, Maddee James on cultivating an online presence) to personal (Frankie Y. Bailey on creating diverse characters, Chris Grabenstein on writing for middle schoolers, Catriona McPherson on deploying humor) to autobiographical (Rachel Howzell Hall on creating a Black female detective, Louise Penny on building a community of followers) to frankly self-promoting (T. Jefferson Parker on creating villains, Max Allan Collins on continuing someone else’s franchise). Although many familiar bromides are recycled—“All stories are character-driven,” writes Allison Brennan, and Jacqueline Winspear, Gayle Lynds, and Daniel Stashower all urge the paramount importance of research—the most entertaining moments are the inevitable disagreements that crop up, especially between Jeffery Deaver (“Always Outline!”) and editor Child (“Never Outline!”), with Deaver getting the better of the argument. Other contributors include Alex Segura, William Kent Krueger, Tess Gerritsen, and Hallie Ephron.
A chorus of encouraging voices that mix do-this instruction with companionable inspiration.Enter here: https://www.simonandschuster.com/p/how-to-write-a-mystery