Around the world in 30 days

By my estimate, I traveled far enough to circumnavigate the globe and then some since my last post. At the end of December, my wife and I flew to Okinawa to visit with family for a week, about 7500 miles each way.

That was an adventure in many ways! We flew via Taipei on EVA, a Taiwanese airline. The fare was about half of what it would have cost to go via Tokyo, and EVA, although not many people have heard of it, is a nice and highly regarded airline. Our main issue was layovers. On the way there, we had less than an hour to make our connecting flight to Naha in Okinawa, and on the way back we had a twelve-hour layover!

Of course, our flight was twenty or thirty minutes late leaving Houston, so that really put the squeeze on in Taipei. We got to the gate and started deplaning only a few minutes before our schedule departure time. We didn’t think there’d be another flight that day, so we were stressed, to put it mildly.

However, when we got to the end of the jetway, there was a nice EVA employee there pulling aside the four or five of us who were supposed to be on the Okinawa flight. The fact that he had a laminated sign with the flight number and destination told us that this was a regular occurrence, and one of our fellow travelers confirmed that he’d done this a few months earlier when his plane was over an hour late and they held the flight for him.

We dashed through the airport, went through secondary security in a jetlagged fog, and ran to our gate, where we boarded a bus that took us to the Okinawa plane. Mission accomplished, and we were grateful to EVA for the extra measures they took to keep us from losing a day of vacation with family.

We rented a car in Okinawa. My wife was the only one with an international driver’s license, a prerequisite for renting a car there, so she drove (on the other side of the road) and I navigated. Google maps was another helping hand–not sure we could have survived without it.

The hotel we stayed in was on the beach and our room faced the East China Sea, so that was nice. We stayed for eight days and we’re pretty sure we were the only westerners in the hotel. The other guests were all either Japanese or Chinese tourists. There was a Radisson up the road that was probably the preferred destination for American tourists, but we quite liked being in the minority for a change.

We saw two local demonstrations at the hotel. First we saw them making mochi, which is a pounded rice paste. They are quite enthusiastic (and loud) about the way they slam the wooden poles into the big vats of rice, and the kids who lined up to take part seemed to enjoy it. On our last night, we got back in time to see the Okinawan drum demonstration, which was also fun.

Mostly, though, we visited with our daughter, son-in-law and 2-1/2 year old granddaughter, who was endlessly entertaining. We ate out a few times and made meals at home the rest of the time. There was a New Years Eve party for 2- and 3-year-olds on the afternoon of the 31st, though none of us stayed up to usher in the new year in at midnight. Instead, we celebrated the following day when it was midnight in Houston, at a respectable 3 pm in Japan!

The only down side to the trip was that both my wife and I came down with bad colds and/or flu. My wife bore the brunt of it, and it took her a while to bounce back after we returned to Houston. The twelve hour layover in Taipei wasn’t as much fun as it sounds, either. We had scheduled to take the free four-hour tour the airport offers, but we were miserable enough that we decided to give that a miss. The ensuing jetlag made things worse. We had half-heartedly toyed with the idea of trying out this “dry January” concept this year, and we ended up doing it, mostly because we wanted to get better and not do anything that might cause a setback. We’re looking forward to having our first glass of wine in a month with dinner on Friday!

Two weeks to the day after I got back, I had to return to Japan on business, another 6500 miles each way, for a grand total of about 28,000 miles. This was a briefer trip — I left on Monday and got back on Saturday — and it was in Tokyo this time. Mostly in the Shinjuku, Sendagai, Roppongi area, although there was one trip to the west side, to Haijima, which is where I normally go on these trips.

I had three hectic days of meetings and presentations, plus some late nights eating out with coworkers. It was fairly cold when I was there, in the thirties and forties mostly. After I boarded the plane on Saturday afternoon, I saw precipitation outside the window. Rain, I thought at first, but it was actually snow flurries, and the snow was wet so it built up on the plane fast. Which meant they had to de-ice the wings, which meant an hour delay in departing.

I did something right on this trip, though. I slept a few hours early in the return journey, off and on, in one-hour bursts. Arriving in Houston in the late afternoon, I soldiered through the rest of the day and my jetlag has been minimal. I’ve been sleeping when I should be and awake when I should, too. I wish I knew a reproducible formula for that!

During the first trip, I watched several movies. On the outbound flight I saw Antman and the Wasp and Searching. While in Okinawa, we watched My Neighbor Tortoro with our granddaughter, and on the return flight I watched Bad Night at the El Royale and Life Itself. After we got back, I finally got around to Bird Box.

I watched the final four episodes of the Netflix series You on the way to Tokyo last week and the first two episodes of Star Trek: Discovery on the way back. (It’s available on Netflix outside of the US, so I was able to download it to my iPad.) Since getting back, I’ve watched the first four episodes of the new season of True Detective. I really hope they stick the landing on this one, as I’m enjoying it so far. The pacing is leisurely and they’re holding their cards close to the vest, but I like it.

I have a new book project in the early stages of development, so most of my reading has been research for that. I won’t be able to say more about it for some time, as it’s still in the hypothetical stage, but it’s going to be a lot of fun if it works out.

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Movies of 2018 (and well before)

According to my tally (you can see the whole list here), I saw 58 feature-length movies this year. Many of them are current–to within the last year or two–but others date back decades, with the earliest being the 1943 vampire film Dead Men Walk. One big chunk of my film watching consisted of Marvel movies that I had missed as preparation for Infinity War.

I plan to watch a couple of additional movies before the year rings out (possibly Bird Box, and Roma), but this will be my last blog post before 2019 arrives, so I’ll limit myself to what I’ve actually seen as of today.

One movie we enjoyed recently but which won’t quite make my top ten list is The Christmas Chronicles, starring Kurt Russell as Santa. It was a thoroughly nice little movie, with a good story and strong performances, especially by the little girl.

Without further ado, here are my top ten movies seen in 2018 (in no particular order). Catch y’all in the new year!

  • The Post
  • Three Billboards outside Ebbing, Missouri
  • Black Panther
  • A Quiet Place
  • The Shape of Water
  • Tully
  • BlackkKlansman
  • Annihilation
  • Bohemian Rhapsody
  • The Favourite
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Television 2018

Publishers Weekly, the premiere trade magazine for the publishing industry, reviewed over 8000 books this year. Today they released their list of the top ten most-read reviews of the year and, guess what? Flight or Fright appears in the #5 position. More people read the review than reviews of books by Michael Ondaatje or Reese Witherspoon! I think that’s pretty cool.

I binged through quite a number of television series this year. My Flight or Fright co-editor and I are always exchanging recommendations. The full list can be found here. I say “full,” but it doesn’t include network shows I watch year-to-year, like Survivor or NCIS, and there’s only one network show on my top ten list.

This past week, I finished season 3 of Travelers, a cool science fiction series on Netflix that has a mostly Canadian cast, including Eric McCormack from Will and Grace. It’s about people from our dismal future who have come back in time to try to fix all the things that went wrong to create their dystopia. After three seasons of making changes without success, the group decides to take a radical approach, which will only pay off if there’s a season 4, which I hope there will be. There’s one guy named David, a social worker from the present, is one of the most terrific characters I’ve encountered recently. He’ll break your heart and make you laugh at the same time.

We also finished the sixth season of The Ranch (really? Six seasons already? According to some tabulations, this was the second half of season three, but still), which isn’t my favorite show but my wife likes it. I find the humor somewhat broad and the laugh track overbearing, but Debra Winger is good in it. The way they wrote out Rooster was really clumsy and we were glad when they got beyond the third episode and they put that mostly to rest.

Here is my top ten list of series I watched last year, in no particular order. It was hard to whittle the list down — there’s been a lot of good stuff on Netflix and Amazon Prime in particular.

  • Travelers
  • The Good Place
  • The Deuce
  • Star Trek Discovery
  • Bosch
  • Castle Rock
  • Jessica Jones
  • The Marvelous Mrs. Maisel
  • Ozark
  • The Haunting of Hill House
  • Little Drummer Girl

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Reading and writing 2018

The four-day weekend is over and I’m back to the “real world” for the next few days. We cooked a lot of great meals (our first attempt at beignets worked out well, although we discovered they don’t reheat very well), drank some wine, listened to non-stop Christmas music, worked on a jigsaw puzzle, and relaxed.

On Christmas Eve, I received my contributor copy of the SST Publications edition of Shining in the Darkthe anthology containing my short story “Aeliana.” This is one of two very-well-published stories from 2018. Although I haven’t seen every edition yet–and some won’t be out until 2019–the anthology has been published in English (US & UK editions), Bulgarian, Italian, Czech, German, Swedish, Serbian and will appear in audio next year as well.

The other “well-published” story, of course, is “Zombies on a Plane,” which appeared in Flight or Fright, the anthology I co-edited with Stephen King. The story–and the anthology–has also been published in English (US &UK editions), on audio, and a dozen translations are in the works.

My only other short story to appear in 2018 was “Ray and the Martian” in Fantastic Tales of Terror from Crystal Lake Publishing. Several stories were slated to appear this year, but it looks like they’ve all been pushed into 2019, which is fine. There’s no rush. Things happen when they happen. Earlier this week, I received am acceptance for a story that will appear in a 2020 anthology. The funny thing about this particular story is that I wrote it in 2003. According to my records, I only submitted it twice, both times in 2003 and never again thereafter until I decided to give it a look as a candidate for the anthology. Turns out, I liked it quite a bit. Gave it an update and tweaked it a little, and now it will be published nearly two decades later. That’s cool.

In addition to fiction, I had my usual run of non-fiction pieces come out in 2018. The coolest was “The Dead Zone,” written for the Poetry Foundation. I received a lot of feedback for that one. I contributed an essay to
Stephen King American Master and another to It’s Alive: Bringing Your Nightmares to Life. Several articles and reviews at News from the Dead Zone, too. I’m hoping we’ll get Stephen King Revisited up and running again in 2019. Right Rich?

On the reading front, I averaged nearly a book a week throughout the year. The final tally was 48 books begun in 2018, although I’m still reading four of them. You can find the complete list here. In no particular order, here are the top ten:

  • How It Happened by Michael Koryta
  • The Outsider by Stephen King
  • I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer by Michelle McNamara
  • Warlight by Michael Ondaatje
  • Give Me Your Hand by Megan Abbott
  • Bonfire by Krysten Ritter
  • The Man Who Came Uptown by George Pelecanos
  • Transcription by Kate Atkinson
  • In a House of Lies by Ian Rankin
  • Becoming by Michelle Obama
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Blue Elves

I’ve been lax about updating this blog lately. Terribly busy on many fronts, as I’m sure many people are. I finished my fifteen-week stint with the Montgomery County Sheriff’s Office Citizen’s Police Academy in early December, which has provided me with plenty of interesting insight to use in future writing projects.

My wife and I participated in the Blue Elves program run by the MCSO and the CPA alumni. The organizers reach out to guidance counselors at local area schools to identify underprivileged youth who might not get much for Christmas. They then seek the parents’ approval to add them to the program and then they are queried about what they might like to receive. Last year the Blue Elves provided gifts to some 700 kids. This year, they doubled the number. Our part in the project was helping to wrap gifts. A defunct furniture warehouse was provided for this project. We showed up at 6 pm one Thursday evening to find dozens of other elves wrapping everything you can image. I opted for rectangular objects, whereas my wife took on some of the more challenging items, like footballs and soccer balls! We wrapped for nearly three hours. All for a terrific cause.

As the year draws to an end, it’s time for everyone’s favorite: best-of lists! In subsequent posts I’ll tackle books, films and TV series, and my year in writing. Today I’ll tackle new music I listened to during 2018. My wife and I saw two terrific concerts: Jeff Lynne’s ELO and The Alan Parsons Live Project.

I don’t buy a ton of new music. I seem to be stuck in the 70s and 80s for the most part. These are my favorite “new” albums I acquired in 2018:

  • Kaleidoscope Heart – Sara Bareilles
  • Brave Enough: Live – Sara Bareilles
  • Hymn – Sarah Brightman
  • Egypt Station – Paul McCartney
  • Let Me Fly – Mike + The Mechanics
  • Platinum 1, 2, 3 – Deep Purple
  • Mascara & Monsters – Alice Cooper
  • S&M – Metallica
  • Codex VI – Shpongle
  • Out of Silence – Neil Finn

I was familiar with Sara Bareilles from her “King of Everything” hit single, but after I heard her live performance of “Goodbye Yellow Brick Road,” I decided to pick up a couple of her albums. She has a terrific voice and writes savvy songs.

Before going to KillerCon this fall, I decided I should broaden my exposure to heavy metal music. I delved into Black Sabbath, Uriah Heep, Deep Purple, Metallica and listened to nothing but as I drove to Austin and back. I added Alice Cooper to the mix, only to discover that he’s more of a pop singer than metal. Very good, though. My wife went to see him in concert this year with a friend, but I didn’t get to go.

In 2019, I’m hoping that Dissonant Harmonies, the music-inspired project that Brian Keene and I have been working on for a decade, sees the light of day. I’ll have more to say about music in the introduction to that volume.

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I think they’re going to play my ring tone

As long as I’ve had a cell phone that allows you to customize the ring tone, I’ve used “Sirius” by Alan Parsons. You know the one, the lead in to “Eye in the Sky” made famous by the Chicago Bulls for the lineup introduction at home games.

Last night we got to see the Alan Parsons Live Project in concert at the Stafford Center, 22 years after we saw the original Project live. The venue is a long way from us, on the southwest side of the city, and it was raining very hard, so it took us well over an hour to get there. That didn’t leave us with much time to eat before the show, so we went to Whataburger, the first time I’ve been to that famous Texas institution. It was o-kay.

I bought the tickets for the show long enough ago that I didn’t remember where our seats were, so we were pleasantly surprised to be ushered to the fourth row from the orchestra pit. The venue was really nice, a small arts theater probably more used to symphonic music or stage plays. Reminded me a bit of the Rebecca Cohn Arts Center at my alma mater, Dalhousie University, which is where I first discovered Alan Parsons’ music thanks to my next door neighbor, Rob Levings, during freshman year in residence.

The show started only a few minutes after the designated time, 7:30, and there was no opening act. The band consisted of a drummer who probably burned 5000 calories during the show (no joking, the guy was a maniac), a keyboard player, a percussionist/saxophone and recorder playing vocalist, a bass player, two guitar players, a lead singer and Mr. Parsons himself, who played keyboards, strummed guitars and sang lead on a couple of songs (including “Don’t Answer Me” and “Eye in the Sky”). The sound engineer served double duty by emerging in the audience (behind us) during one song to play the violin.

We were pretty much the average demographic. There weren’t many people much younger than us, although there were quite a few who were older. A lot of people around us were Alan Parsons experts. A couple behind us was related to the lead singer (P.J. Olson).

They performed all the hits fans would recognize and, to our delight, they played the entire I Robot album straight through. At first, I wondered at the wisdom of this, as there are some challenging, experimental  songs (notably the final “Genesis Ch.1 V.32”), but it was awesome. For the song “Breakdown,” which features a huge choir in the background, the audience became the choir. We were coached in our two lines and belted them out with gusto:

Freedom, freedom, we will not obey
Freedom, freedom, take the wall away

Sounds like an anthem for today, doesn’t it? After a beautiful rendition of “Don’t Let it Show,” Parsons said, “This is place where you used to have to get up and turn the record over. Now we’ll play Side 2.”

I’ve heard a lot of Alan Parsons concerts before, but this is the first one I know of where the band got to do solos, showcasing their impressive skills. This is also the first concert I can think of where I was close enough to the stage to hear the drummer live rather than through the sound system. He was amazing. At least twice I saw shards of his drumsticks go flying over his shoulder.

Before the song “Limelight,” Parsons paid tribute to his former colleague, the late Eric Woolfson, saying that the song reflected Woolfson’s thoughts about being and not being in the limelight. He had us turn on the lights on our phones during the chorus (which I captured in the slideshow below). He also admonished people to not take video of the concert. Photographs were okay. Not only did recording video violate their copyright, he said, the songs will sound crappy, which to a sound engineer is probably the greater offence.

They played for a solid two hours without intermission. With a revolving group of singers, it’s probably easier for them to do that, although I feared for the drummer, who was casting off sweat at an amazing rate. After a brief gap for an encore demand, they came back to play “The System of Doctor Tarr and Professor Feather” and a rousing version of “Games People Play” to wrap up the night. It was a fantastic show. Here are a few highlights:

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Shoot / don’t shoot

Photo credit: Lauren Grandinetti

An interesting weekend. For one thing, I received two short story acceptances within about an hour of each other. That’s always nice. One of the stories is about ten years old and has been out the door over a dozen times. Finally, it sold to a pro-paying market, so the moral of the story is: stick with it!

The second story has a slightly shorter lifespan, but it was written four or five years ago. It didn’t get submitted as frequently because there weren’t many markets where it would fit, but I finally found the perfect one. The other unusual aspect about this submission is that I sent it in to the market a little over a year ago, and then forgot about it. When I was revisiting my submission log a few weeks ago, I decided to query the market, only to discover that they had no record of ever having received it. So I sent it in again and had my positive response within a couple of weeks.

All very cool.

I spent most of Saturday role-playing at the Montgomery County Sheriff Office Citizen’s Police Academy. We were given a number of scenarios that were fairly common in the life of a police officer, and we had to be the cops and decide how to handle them. To add realism to the situations, we were given “air soft” guns that are virtually identical to real Glocks and other hand guns. They have CO2 cartridges in the magazine area and fire pellets hard enough to raise bruises. (Yes, we wore eye protection.) To get us comfortable with the guns, the first thing the deputy running the event did was ask for a volunteer to shoot him. I stepped up.

I think I’m the only person in the class who does not own a firearm and has rarely shot one. The last time I fired a gun was when I attended the Houston Police Department’s Civilian Police Academy a number of years ago. They took us to the firing range one evening and we got to shoot a clip at a target. I did surprisingly well that time. I still have the target, with a decent narrow spread. This time I took aim at the officer’s chest from about 10 feet away…and shot him in the arm!

The first batch of scenarios were domestic violence calls, which are among the most dangerous and unpredictable situations in which police officers find themselves. Very often, we were stumped at how to proceed once things went in a difficult direction. In the afternoon, we acted out “routine” traffic stops, most of which were anything but. Armed suspects, people who decide to flee, people who act unpredictably. It was fun, but it was also enlightening. Here are a few photos from the weekend and earlier sessions we had with the Crime Scene Investigators (where we saw some real-life lifted fingerprints that look nothing like what you see on TV) and the bus that took us off to tour the jail.

 

On Saturday evening, we saw Patton Oswalt (pictured above) “in concert.” The opening comedian didn’t get a formal introduction, and he only called himself Richard, so I have no idea who he was. My favorite part of Oswalt’s show is when he turns his attention to the people in the front row. He usually picks three, and the final one was pure comedy gold, a professional wedding singer that he got a lot of mileage out of. I guess I’ve been to a stand-up show before (my wife says we saw one back in the 90s), but I don’t recall it at all. This one was quite memorable. In the picture above, he suddenly noticed the strange backdrop on the stage and invited people in the audience to take a picture and tweet them at him.

Last night we watched “Rosa,” the latest episode of Doctor Who. We were greatly impressed by it. Although there was an alien entity acting as the bad guy, the worst villains in the episode were human.

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Scene of the Crime

It’s been a while since I’ve written a post. Busy times–have to prioritize, and blogging hasn’t been high on the list. I’m working on a new short story that required quite a bit of research, but also trying (as always) to get my desk clear so I can devote time to working on a novel. The perennial chase for time.

Keeping busy with Flight or Fright-related stuff, too. Scribner will be publishing the anthology in trade paperback next June. You can see all the details here, including their cover. New edition means more proofing, etc., which I expect will land on my desk shortly.

I’ve done a few interviews lately, including one that was translated into French for Club Stephen King (English and French versions available here), a long podcast interview with Eddie Generous for his Unnerving Magazine podcast (available here) and an interview with Justin Hamelin for Mangled Matters’ 50 Days of Halloween (online here).

Anthology readers continue to take me up on my suggestion that they send me photographs of the book on airplanes. The most recent one was from a pilot who snapped a photo of Flight or Fright in the cockpit of an A321. He assured me that he didn’t read while flying the plane. Here’s a slideshow of the images people have sent me so far. Keep ’em coming!

 

Speaking of Halloween (which I was, a couple of paragraphs back), Amazon has put together a series page for last year’s Halloween Carnival eBooks, edited by Brian Freeman. Volume 4 contains my story “The Halloween Tree,” and ’tis the season, after all.

A week from today sees the launch of Fantastic Tales Of Terror: History’s Darkest Secrets, edited by Eugene Johnson for Crystal Lake Publishing.  The theme of the anthology is that there supernatural events occurred around many of our most famous incidents and people. My story, “Ray and the Martian,” reveals that Ray Bradbury had a close encounter with a Martian in Roswell, NM (he really did live there, briefly, long before Area 51) that inspired his fascination with the red planet.

For the past several weeks, I’ve been participating in the Citizen’s Police Academy offered (for free) by the Montgomery Country Sheriff’s Office. Each week we get presentations from all of the different divisions that are part of MCSO. Most recently, we heard from the Homicide and Violent Crimes division. On other weeks, we heard from Crime Scene Analysts, Narcotics and Organized Crime, Livestock Division, and we spent one evening touring the county jail. I’ll write more about this adventure in my next post: tomorrow we are spending the day doing shoot/don’t shoot scenarios where we get to play the cops and the cops get to play the bad guys. We’ll be using toy guns that should pellets, but these toys look like the real thing, with magazine and slides and safety switches and all that. Should be fun. Then we’re off to see Patton Oswalt in Houston. Other than the time we went to a driver’s ed class run by Laugh Stop, I think this is the first time I’ve ever gone to a live comedy show.

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Bestseller-ish

Today marks my 29th year working for the same company. Granted it’s gone through a couple of name and regime changes over the years, but it’s still much the same place and there are a few people who were here when I joined up in 1989 who are also still here now.

I was pleasantly surprised on Friday when I received a Google alert to the Publishers Weekly hardcover nonfiction listing, where Flight or Fright appears in the #17 position. Some interesting details about that appearance. First, the book was published by a small press, so it’s fairly rare for one of them to appear on any kind of list like this. Back in the day, the Donald M. Grant edition of Wizard and Glass made it into some brick-and-mortar stores and it became the first-ever small press edition to appear on the NY Times list. Also, this is only for hardcover sales, not for audiobook or ebook sales. And, more importantly, this is only for sales from retail stores that report to PW. The entry pictured here shows about 3300 copies sold. However, Cemetery Dance reported advanced orders of over 30,000 copies several weeks ago. If those had been taken into account, the book would probably have appeared in the #1 position. The J.D. Robb novel in that position sold 28000 copies for the week.

I had a nice, wide-ranging 90-minute chat with Jeremy Lloyd of the Dark Tower Radio podcast on Saturday afternoon. Here is his description of the broadcast, which you can listen to here:

On this episode Jeremy is joined by author of The Dark Tower CompanionThe Road to the Dark TowerThe Stephen King Illustrated Companion and the co-editor of the new anthology Flight or Fright the one and only Bev Vincent. They discuss Bev’s history with the works of Stephen King, the new King renaissance and the new anthology he worked on with Stephen King, Flight or Fright. So hunker down fasten your seat belt and return your seat and tray tables to their upright positions and tune your dial to Dark Tower Radio and enjoy the palaver.

We watched The Children Act on the weekend, based on the Ian McEwan novel of the same name. It stars Emma Thompson as a judge who must decide whether a 17-year-old (who is only a few months from 18) can be forced to accept a life-saving blood transfusion despite his Jehovah’s Witness belief that it will pollute and damn him. Stanley Tucci plays her husband. There’s one thing in the story that isn’t well explained: she decides to visit the boy in the hospital before making her decision. Everyone agrees it’s highly unusual, and it sets the rest of the story in motion, but in retrospect we couldn’t come up with a satisfactory explanation for why she might have done it. Except for that puzzler, it’s a good film.

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Exciting times

The past couple of days have been exciting. Previously when I had a new book out, things were fairly low-key. We celebrated with a dinner or something, but there wasn’t a whole lot of fanfare.

Things are completely different with Flight or Fright. For one thing, three different publishers are involved: Cemetery Dance, Simon & Schuster audio and Hodder & Stoughton in the UK.

Yesterday, I was stunned to receive a floral arrangement from my co-editor. Truly bowled over. Then, when I got home last night I found a package from the group at Hodder & Stoughton (see picture). It contained an oversized congratulatory card (about 12″ x 8″) signed by editorial and marketing, together with a trade paperback of the H&S edition (for Australia and New Zealand, South Africa and airside at UK airports), cleverly packaged in an airsickness bag.

Today, Simon & Schuster audio has been releasing excerpts of the audiobook all over the place. You can hear (and see) Steve read from “The Turbulence Expert,” hear an excerpt of Corey Stall reading Joe Hill’s “You Are Released” and another of him reading from my story, “Zombie’s on a Plane,” Santino Fontana reading from Cody Goodfellow’s “Diablitos” and Christian Coulson reading from Roald Dahl’s “They Shall Not Grow Old.” Finally, there’s a YouTube video of Norbert Leo Butz (Kevin Rayburn from the Netflix series Bloodline) greeting people from the Simon & Schuster studio as he’s reading “The Flying Machine” and “The Fifth Category.”

Also, new reviews, including one from Mike Ripley at SHOTS eZine in the UK. Thus far, the response has been terrific. Everyone seems to be enjoying our collection of turbulent tales. We did get a 1-star review on Amazon from someone incredulous that anyone who flies regularly would want to read scary flying stories, without commenting on the stories at all.

Corey Stall reads “Zombies on a Plane”

Oh, yeah, and there was also this article at The Ringer called The King Chroniclers, for which I was interviewed a while back.

We didn’t even get to have a celebratory dinner last night, though, because I spent the entire evening at the Montgomery County Sheriff’s Office Citizen Police Academy. We’ll rectify that tonight.

I finally got to the end of Season 2 of Jessica Jones. I enjoyed the season, perhaps even moreso than Season 1, but I kept getting interrupted by other things. And I saw the final episode of Castle Rock, which I’m sure will have people talking. I’m looking forward to seeing how people respond to it.

I also managed to get a few book reviews done recently, all for books that are either just out or soon to be out:

 

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