Home
Current reviews
Archives
Reviews by title
Reviews by author
Interviews
Contact Onyx
Discussion
forum
|
|
Onyx reviews: The
Bang-Bang Sisters by Rio Youers
Reviewed
by Bev Vincent, 08/10/2024
They don't call themselves the Bang-Bang Sisters when they're playing
hard-rocking cover songs in bars and clubs across the country. For those gigs,
they operate under a variety of names. They transport their gear in a van:
Jessie's lead guitar, Flo's bass guitar, and Jessie's sister Brea's drums, along
with the requisite microphones and amplifiers.
Their existence as a three-woman
band is also a cover, for hidden among their concert gear is an astonishing
assortment of weapons: pistols, rifles, blades and martial arts tools that they use for
their real paying gig as assassins for hire. As the Bang-Bang Sisters, they're
moral assassins, like Dexter of Billy Summers, the kind that only kill bad
people who have escaped arrest or evaded prosecution. They get their assignments
from a hacker network on the Dark Web, and they usually investigate their targets fully
before executing a precision operation that has them in and out with as little
muss and fuss as possible. Of course, everything doesn't always go as planned
and there is the occasional fuss. Or muss. At the top of their TBA (to-be-assassinated)
list is a serial killer who calls himself
"the wren," who operates in Reedsville, Alabama, killing with impunity. Readers
are introduced to him in the book's prologue, an idiosyncratic man who inhales
oxygen through a nasal cannula and leaves bodies stuffed with feathers and haikus
written in blood at the scenes of his murders. The trio of assassins is just
about ready to take a break from the road and call it quits for a while—maybe
even permanently—when they get a solid lead to the wren's location. Their obsession with this killer allows them to be
lured into a trap laid by a
wealthy and prominent mobster who has a bone to pick with the them. One of
their earliest jobs wasn't a work-for-hire—it was personal, and Chance
Kotter wants payback.
The book takes an unexpected change in direction (and it isn't the only major
surprise the novel has on offer) when the trap is sprung.
Once Kotter has the women in his grasp, he doesn't exact immediate revenge. He's
a betting man who likes a good game, so he creates an unthinkable challenge for
the "sisters," forcing them into a deadly contest by kidnapping their
loved ones and setting a deadline for them to complete this terrible task. They
are released into the wilds of Reedsville and forced to hunt each other until
one one is left standing. Kotter invites business colleagues to attend the two-day,
winner-take-all contest and place bets on the outcome.
As tight as the three women are, the situation puts them in an untenable
situation. The rules are strict and seemingly unbreakable. Their locations are
tracked with ankle monitors, as well as by a roving band of observers. They cannot contact the outside world for
help, and the head of the local police is Kotter's sister, so there's no help
there, either. They can't
work together. They can't even kill themselves to put an end to the terrible
contest. If their loved ones are to survive, they must play out the game to the
end. And Reedsville, a dismal, impoverished and corrupt town, seems to determined
to kill them any way it can.
However, they're extremely resourceful, feeling there must be a way to get out
of the dilemma and yet willing to do whatever it takes to survive. The book is full of scenes of high-octane action, carefully
orchestrated and unflinchingly violent. People are shot, stabbed, pummeled and
dispatched in all manner of gory and grueling ways. The sisters—and
readers—get little chance to take a breath during the next forty-eight
hours of nonstop action.
Web site and all contents © Copyright Bev Vincent
2024. All rights reserved.
|
|