Home
Current reviews
Archives
Reviews by title
Reviews by author
Interviews
Contact Onyx
Discussion
forum
|
|
Onyx reviews: The Death House by Sarah Pinborough
Reviewed by Bev Vincent, 03/07/2015
It's not a coincidence that the text assigned to reading comprehension
"students" living in the Death House is The Lord of the Flies,
for Sarah Pinborough's latest novel is, in part, an homage to that classic
work.
There are substantial differences, though. While the residents of this
isolated boarding school on steroids are mostly male, there are enough females
around to make things interesting, and volatile. The children were stranded on
this island on purpose, brought here in the vans that were used to steal them
away from their ordinary lives, without even a moment for a formal goodbye to
their loved ones. There are adults in the picture, including the sinister Matron
who runs things, but they are mostly aloof and distant, the kind who make
wonking sounds in Charlie Brown cartoons.
The story is set at some indeterminate point in the future when no one living
has a memory of snow falling in England, although board games, movies and
photocopiers still exist. Reminiscent of Kazuo Ishiguro's Never
Let Me Go, those condemned to live out their final days at the Death
House are possessors of a gene that brands them as defective, a word usually
rendered with a capital D.
Those who have the gene, which is only detected in people under the age of
eighteen, have heard rumors about what will happen once the disease expresses
itself. They might become something horrific, like zombies or vampires, but the
overseers of the Death House never allow their young charges to witness the
outcome. At the first signs of symptoms, the ill are spirited away in the middle
of the night, taken to a sanatorium where they are either tended to until death
or put out of their misery. No one knows which. All evidence of their existence
is expunged from the dormitories and they are rarely, if ever, mentioned
again.
The children are expected to adhere to a normal daily structure. They have
chores, and attend classes, even though they will never have any use for their
acquired knowledge. They have recreation areas with everything they might desire
available to them, but they can't leave and there are never any visitors. There
are grim, discouraging rumors about the terrible fate that would befall anyone
attempting to escape the island.
Strong personalities prevail. Everyone treats the bully Jake with kid gloves
and the respect afforded to someone who has a reform school past. And, as in The
Lord of the Flies, factions develop. The main distinction is in where
someone lives. There's a kind of morbid rivalry among the dorms. Toby, the
book's first-person narrator, lives in and rules over Dorm 4, which at present
has a perfect record. No one from their cadre has ever taken sick. There's also
a religious faction, led by a boy named Ashley whose father was a minister. Most
of Toby's friends have no use for Ashley and his prayers and daily church
services.
The status quo is disturbed by the arrival of a group of new children. Among
them is Clara, a girl vivacious enough to have the more mature boys lobbying for
her attention. Toby has never had a girlfriend, though he was on the verge of
getting one when he was scooped up from his normal, carefree life and brought to
the Death House.
Toby is a holdout. While the others willingly swallow the
"vitamins" that put them to sleep each night, Toby palms his and uses
the night-time hours to wander the house. He treasures being alone, sleeping in
the afternoons when the others are in recreation. Clara disturbs the
equilibrium: she, too is a night person. At first he resents her encroaching on
his domain, but things change with time.
The Death House is a difficult book to categorize. Nominally, given
its futuristic setting, it is dystopian science fiction, but the timeframe is
unimportant to the story. Pinborough is interested in her batch of characters
and how they deal with the death sentences they are all living under. How they
interact with and relate to each other, and how they don't. It's a coming of age
story where none of the characters will ever get to be "of age." It's
also a non-conformist story, where the young rebels test the limits of the
restrictions placed on their lives.
Ultimately, it's a heart-wrenching and immensely affecting tale of young love
and the lengths to which people will go for each other. These are kids, so there
is arbitrary pettiness and wantonly mean behavior, but there are also acts of
altruism, mutual support and heroism. It's a more optimistic book than The
Lord of the Flies, belying the dark implications of its title. Few readers
will come away from it unaffected and uncharmed. It's one of those stories
destined to stick with readers long after the final page is turned.
Web site and all contents © Copyright Bev Vincent
2015. All rights reserved.
|
|