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Onyx reviews: Double Homicide by Jonathan and Faye Kellerman
Novellas are problematic. They’re too short to publish standalone—unless
they’re inspirational or seasonal—and too long for most short fiction
markets. Husband and wife authors Jonathan and Faye Kellerman came up with an
interesting solution to this dilemma by combining two novellas into a single
volume.
Double Homicide is packaged like an old Ace Doubles science fiction
paperback. No matter which way you pick it up you get a front cover, one for the
Boston-based story “In the Land of Giants” and the other for the Santa Fe
tale “Still Life.” The latter setting has the local art scene to justify its
location, but the Boston story could take place anywhere high school kids play
basketball and own guns. Neither author has previously used these cities as
settings. There are few indications which author is responsible for which story,
or if they are collaborations. Part of the fun is in guessing who might have
written what.
“In the Land of Giants” starts with the shooting of a promising high
school basketball player at a nightclub after a contentious game. The two cops
investigating the murder were in attendance at the game: Michael McCain and
Dorothy Benton, the single mother of a player on the home team. The inquiry
starts as an exploration of school violence, but changes course when the medical
examiner reports that the bullet wound didn’t cause the teen’s death. The
story explores (briefly) the lengths to which some people will go to keep a star
player in the game.
In “Still Life,” two Santa Fe policemen investigate the killing of local
art dealer Larry Olafson, bludgeoned with a piece of artwork from his gallery.
It’s one of those cases with no shortage of suspects, because not many people
liked Olafson, including his kids and ex-wife. One of the investigating cops,
Darrell Two Moons, also had a recent run-in with the art dealer. Olafson, a
vocal advocate of the less popular side in a local political debate, had a
history of selling artwork of dubious provenance when he owned galleries in New
York.
The interplay between McCain and Benton, and Benton’s situation as a single
mother, add extra depth to an otherwise linear, mundane story. The authors
succeed better with Two Moons and his partner Steve Katz (both of whom cameo in
the recent Jonathan Kellerman novel, Twisted, perhaps confirming the identity of
their creator). After the death of his father, nee Edward Montez, Darrell Two
Moons began exploring what it means to be a Native American, adopting the last
name his father created for himself late in life. Katz is in Sante Fe because
his wife coerced him into moving from New York only to divorce him three months
later. Her name turns up in Olafson’s address book, which means Katz has to
consider her a suspect.
Both stories are interesting, but they feel like novel outlines rather than
novellas. The plots, settings and characters, especially those of the
investigating officers, could have carried full-length books, and there’s a
feeling that brevity didn’t serve them well. Perhaps the Kellermans were
testing the waters to see what working on a bigger-scale project together might
be like. A cynical reviewer, however, might speculate that the book is a
publishing gimmick to introduce the two authors’ respective audiences to each
other.
Web site and all contents © Copyright Bev Vincent 2007. All rights reserved.
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