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Onyx reviews: The
Lost Symbol by Dan Brown
Dan Brown hasn't exactly stretched as a writer, or even as a plotter, in the
six years since his previous novel. In The Da Vinci Code, Robert Langdon
was pressed into action to assist the daughter of a man who was murdered by an
albino freak on a misguided mission. In The Lost Symbol, Robert Langdon
is pressed into action to assist the sister of a man who is kidnapped by a tattooed
freak on a misguided mission. Brown also invokes many of his favorite historical
figures and organizations, including the Templars, the Rosicrucians and Sir
Isaac Newton. Granted, it's hard to top a book that tracks
down the surviving descendent of Mary Magdalene and identifies the location of
the Holy Grail. Once you've taken on the Illuminati, what's left? Well, the
Freemasons, the supposedly secret organization that has been used in dozens of
novels and movies as a nefarious cabal that is covertly running political
organizations and governments. Movies like National Treasure revel in disclosing
how Masonic symbols are hidden in everything from historic Washington, D.C.
buildings to the U.S. Constitution to bank reserve notes. They seem like an easy
target. However, Brown takes a slightly different tack, treating the Masons with
respect and reverence instead of suspicion. Robert Langdon's close friend and
mentor, Peter Solomon, a high-ranking Mason, summons him to Washington to act as a last-minute
replacement for an ill speaker at an important event. Langdon can't turn
his old friend down, especially when a private jet and a limousine are sent to
take him from Cambridge to the capitol. The only problem is that Solomon didn't
make the request. Langdon gets to the Rotunda in time to discover Solomon's severed
right hand mounted on a pedestal and placed in the middle of the popular
destination. Masonic symbols are tattooed on the man's fingertips and a cryptic
message is etched on his palm. A phone call tells him that he needs to solve the
puzzle of the Masonic pyramid before the end of the day to save Solomon's life. Langdon has no time to process this shocking
development before CIA agents arrive on the scene asserting that Langdon needs
to assist them with an urgent case with national security overtones. They
cannot, or rather will not, however, disclose the nature of the problem, neither
to Langdon nor to readers, which presents a problem for both. It is difficult to
take the threat seriously. Sure, Langdon has a series of puzzles to solve, and
Peter Solomon's life is at risk, but the real timer driving this thriller is the
undisclosed national crisis, and failing to reveal its nature works against
Brown. He isn't helped, either, by the fact that a large portion of his
narrative is predicated upon some rather nebulous research in the realm of
noetics. Solomon's sister works in a creepy lab separated by hundreds of
yards of darkness from its entrance, deep inside the Smithsonian institute. The
isolation is explained as being necessary to isolate her ultra-sensitive
equipment from natural phenomena, but its really built like that to give the
author the chance to create some effective scenes where characters flounder
around in the dark while being pursued by a killer. Noetics, by the way, is a
study of the mind/body connection. One of Katherine's main theories is that
human thought has mass. If enough people think the same thing at the same time,
the combined mass becomes substantial enough to effect change. It's the
governing principal behind prayer circles and the power of positive thinking,
but it's hard for a reader with a scientific background to take it seriously.
Fortunately, the plot does not rely on manifestations of this supposed power,
simply in the characters' belief in it. The villain of the piece is Mal'akh, a
steroid-bound mutant who has tattooed every inch of his body save for a spot on
the top of his head, which is reserved for the information he wants Langdon to
lead him to. He has insinuated himself into the highest order of the
Masons so that he can amass all of their secrets and gain access to buildings
and information, but he needs Langdon's symbology skills to crack the codes. Though the truth of his identity is part of the book's huge
reveal toward the end, it should come as no surprise to anyone reader of crime
novels—it relies on one of the oldest tricks in the book. That's the other problem with
The Lost Symbol—although
the individual puzzles may pose challenges to readers, the book's two biggest
mysteries (the second being the location of the end of the quest) could be
easily guessed by anyone paying attention, even before the scavenger hunt
begins. Put that all aside, though and enjoy the ride. Keep up with Robert and
Katherine as they first labor to keep the Masonic pyramid and its capstone apart
and then, later, to bring them together and crack the various puzzles built into
it to reveal the location of the secret information the Masons have been
safeguarding for millennia. Knowledge known to the ancients but deemed too
dangerous in the hands of mere mortals. When the secret is revealed, there may
be a certain amount of eye rolling among readers. That was bound to happen—revealing
the nature of the ultimate knowledge of mankind is a little like showing the
monster in a horror movie. Sometimes the zipper in the monster's suit shows up
on camera. It isn't necessary to buy into any of Brown's philosophy, however.
He barely gives readers a chance to process it for most of the book, anyway, as
he yanks his characters from one mortal crisis to another. En route, he lays
bare some of the most interesting bits of Washington architecture, from the
bowels of the Capitol building to the inner workings of the Library of Congress,
steeping the characters' dialog in didactic speeches about the significance and
history of it all. There must be a better way to get this information across
without turning conversations into mini-lectures but, short of using footnotes,
thriller writers haven't cracked that particular problem yet. Brown does come up
with a fascinating and innovative way to seemingly kill off a character
without actually have him die, though the scientific accuracy of the technique
is questionable. Readers didn't come to this book looking for scientific
truths. They came looking for a thrill ride, and Brown delivers in spades. At
the end of the day—and it really all does take place over the course of a
few short hours—we still know very little about Langdon but we know a lot
more about the Masons and about the mysteries of life. At least in the gospel
according to Dan Brown.
Web site and all contents © Copyright Bev Vincent
2009. All rights reserved.
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