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Onyx reviews: Hit Me by
Lawrence Block
Television series like Dexter and Breaking Bad have people
rooting for bad men. The same demand is placed upon readers of Lawrence Block's
series featuring hit man John Keller. Though Keller is portrayed in a
sympathetic manner and the books are written with a jaunty tone, there can be no
denying the fact that he is a stone cold killer.
The main problem is that Block does not paint Keller's targets as vile
monsters whose deaths make the world a better and safer place. They are simply
people who someone else wants dead. Keller rarely troubles himself with the
reasons why he is supposed to kill a person. It's a contract that he is meant to
fulfill for which he will be paid handsomely, and if he doesn't do it, someone
else will. He views each assignment as a logic problem to solve. How do you kill
a reclusive monk? What do you do when someone else is trying to kill your
intended victim?
Keller tried to retire at the end of Hit and Run. He
changed his name to Nicholas Edwards, married, had a daughter and moved to New
Orleans, where he has been keeping up appearances by working with a man who is
restoring and flipping houses damaged by Hurricane Katrina. Keller/Edwards
doesn't need to work—he has vast resources in offshore accounts—but
if he doesn't people will wonder how he makes ends meet. When the bottom falls
out of the housing market, though, Keller decides to accept an assignment from
Dot, his handler, the woman who isolates him from the people taking out the
contract.
Keller is also a philatelist. His specialty is pre-1940 non-US stamps, and he
has invested heavily in his hobby. Much of the money he makes from his new
contracts goes toward purchasing stamps at auctions. In every one of the six
stories in this "novel," Keller is able to combine business with
pleasure. He attends auctions or otherwise takes advantage of his hobby in the
city where he is sent to kill someone. Once or twice might have seemed a fair
coincidence, but having it happen in every story belabors the point beyond
credibility. Some of the most interesting passages in the book, though, are
Keller's treatises on geopolitics as they pertain to the existence of certain
types of stamps.
The first Keller book, Hit Man, was a collection of unconnected short
stories, whereas the second, Hit List, was a
"fix-up" novel with a story arc that tied the stories together, albeit
clumsily. Hit and Run is the only one of the five Keller books published
to date conceived of as a novel. There is a logical progression to the stories
in Hit Me, though. They clearly take place in sequence, but one does not
rely heavily on another.
Compared to Block's Scudder novels, the Keller books are lite fare. Whereas
Block plumbs the depths of the ex-cop and recovering alcoholic, he rarely gets
beneath the surface of Keller. He's a hit man and a stamp collector, a husband
and a father. That's all readers know about him. His strongest character trait
is the fact that he won't accept a contract to kill a child. He has a
"moral code," but it's not terribly sophisticated and manifests itself
mostly in his scrupulously honest dealings in business transactions with other
stamp collectors. Keller's wife is even more sparsely drawn. She knows what
Keller does, and goes along with him on a cruise where she gets to meet the
victim in advance, but she isn't troubled by the fact that her husband is a
murderer.
By the end of Hit Me, Keller is once again trying to get out of the
assassination business, having found a new calling as a "picker"—someone
who finds valuable objects (in his case, stamps) among collections. However, a
sudden crisis of conscience has Dot calling Keller one more time, this time to
prevent a hit that she would have normally turned down. The final vignette is,
perhaps, a setup for the next book. Either that, or it is some kind of
existential statement about Keller Whatever the case, it is an abrupt and
unexpected ending to the book that evades meaning.
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