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Onyx reviews: Corduroy Mansions by Alexander McCall Smith
Readers of Alexander McCall Smith's 44 Scotland Street series will find
themselves in familiar territory in Corduroy Mansions. The cast of characters is
different, and the apartment complex is located in London instead of Edinburgh,
but the concept is the same. Take a batch of interesting people and aim a camera
at their lives. Their stories are interesting, but the dilemmas are not matters
of life and death. They are simple stories of love and employment and pet
ownership. William French is a wine merchant who has problems at home. His
twenty-four-year-old son, Eddie, shows no signs of moving out and William's
patience is running thin. He concocts passive-aggressive schemes. Eddie, who
tends to speak in newspaper headlines, dislikes dogs, so William takes part in a
dog-sharing agreement with a newspaper columnist. The "temporary dog" in question is Freddie
de la Haye, a Pimlico Terrier supposedly a vegetarian, though time will prove to William that
Freddie's dietary curiosity has no limits. When the dog gambit doesn't pay off,
William escalates, inviting his friend Marcia to move in, not realizing that
Marcia has designs on William. He's not sure that he's better off with the new
status quo. Four young women share an apartment on the ground floor, each with
unique quandaries. Caroline, who is working on a Masters degree in Fine Arts at
Sotheby's, is unclear about her relationship with classmate James. The young man
is suddenly uncertain about his sexuality—he's no longer sure that he's
gay and may have feelings for Caroline. Caroline is also guarding a secret—her
picture was once featured in Rural Living in a section normally reserved
for young women fishing for husbands. Jenny, a graduate of the London School
of Economics, is personal assistant to an odious Liberal Democrat Member of Parliament with the unlikely name
of Oedipus Snark. One of the benefits of her position is that she has
ample free time that Snark lets her use as she wishes. However, she has to run interference for him when he makes arbitrary
changes to his schedule. Snark shows his
true colors when he dismisses her by text message, complete with frowny faces. This
isn't the only change in Snark's life. His longtime girlfriend, Barbara Ragg, a
literary agent, has an epiphany about their relationship and bolts during their
vacation in Rye. (A sub-sub-sub-plot involves the latest manuscript Barbara is
representing—a supposed biography of the abominable snowman.) Barbara is
prepared to swear off men when she meets a young man in the parking lot and does
the unimaginable: she gives him a ride back to London. Soon they are living
together. Life's like that. Snark is uniformly
disliked. Even his mother, Berthea, can't stand him. She is currently writing a
tell-all exposé about her son while attempting to keep her somewhat
vacuous brother from killing himself through ineptitude. Terence Moongroove has
been driving the same car for forty years, making frequent calls to the auto
club whenever the vehicle breaks down—often because he's neglected to put
petrol in the tank. When the battery dies, he almost electrocutes himself by
hooking the battery up to a live wire. Berthea's fears are amplified when
Terence trades in his Morris Traveler for a Porche, a car that—to his
amazement—can go faster than 40 mph. He's never had to pay attention to
speed limits before because, with the Morris, such matters were purely
theoretical. There are adventures involving Belgian shoes and a possibly
stolen painting by Poussin, changes of employment, the baking of lemon squares,
dog fights, and sacred dance. None of it would make the evening news, but it's
all part of the substance of life. Things that make people happy, irate,
satisfied or sad. Like McCall Smith's 44 Scotland Street novels, Corduroy
Mansions is a collection of vignettes and the journeys are more important
than the destinations. The pleasure of books like this is the time spent with
these endearing characters, most of whom are well meaning and kind. Some of the
plots and subplots have complete arcs with a satisfactory resolution, others
simply meander on from Point A to Point G and ultimately peter out, exactly the
way things do in real life.
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